|
TODAY'S
ISSUE
Mediterranian trip
with Mom one to cherish for years
By Lynne DeWilde
Special to GwinnettForum.com
SUWANEE, Jan. 17, 2006 -- After more than 20 years
of living hundreds of miles away from one another, my mom and
I moved in together and shared less than 200 square feet of living
space for 10 days this past October. No need to feel badly for
us, as we were on a cruise ship visiting ports in France, Italy,
and Spain. It was a trip filled with sights, experiences, impressions,
and memories that we'll cherish for many years to come.
DeWilde
and her mother in Rome
|
Actually, a European trip was something that we originally planned
four years ago. But in the immediate days following 9/11, we decided
to postpone our trip to Germany where we were to visit with one
of my mother's friends living there. Still, as one who's always
ready to pack her bags to visit someplace new, I longed to travel
to Europe. My husband, who has seen much of the world courtesy
of the U.S. Navy, didn't share my fervor, nor did my 11-year-old
son, who can't understand why someone would wish to travel anywhere
other than a beach or an amusement park.
Finally, during a visit home to Virginia last summer, my mom,
and I decided that the time was right to try another trip. She
wanted to travel to Italy, where she had lived (in Naples) for
a couple of years during her youth, and had no interest in Paris,
which I longed to visit. As a compromise, we looked into cruises,
which would allow us to see more of Europe. I didn't make it to
Paris, but I was enthralled by the charm (and open market) of
Aix-en-Provence, the area of the Cote d'Azur, and the walled town
of St. Paul. And that was just our first two ports!
A cruise truly is a fabulous way to sample new places and cultures.
After arriving in Barcelona, our port of departure, and waiting
for our luggage to catch up with us, we boarded the ship for our
10-day cruise. (Note: I would recommend arriving at least a day
in advance.)
In
Tuscany
|
As one who likes to go-go-go, I loved the Celebrity Century's
itinerary, which started off with four consecutive ports of a
call, followed by one sea day, three more ports of call, and then
one last day at sea before returning to Barcelona. I worried some
whether the excursions would be too much for my mom, 64, who prefers
a more relaxed pace. But thanks to the hip replacement surgery
that she had almost four years ago, her water aerobics classes,
and ibuprofen, she managed the not-insignificant walking distances,
often along cobblestoned, narrow roads, with only the occasional
grimace. It's safe to say that we were equally exhausted from
our frequent forays into various European cultures.
We loved that, without packing and unpacking, we could visit
Mediterranean French towns, the gorgeous hills of Tuscany, the
magnificent ancient structures in Rome, and the Iberian islands
off the coast of Spain and return each evening to a sumptuous
meal. My mother particularly loved the ritual of dressing for
dinner and being served by the ship's attentive staff. And, when
we weren't ashore, the ship provided ample down-time opportunities
to suit our diverse interests. I could take on the elliptical
machine in the ship's gym or take my chances in the casino, while
mom shopped or sat on deck with a cup of tea and her book.
This trip nurtured our appreciation for other places and cultures,
our desire to know more deeply many of the places we visited,
and our enjoyment of travel as well as our appreciation, tolerance,
and love for one another. After living separate, very different
lives for so many years, it was a joy to share this special time
with my mom.
We're already talking about doing it again sometime soon!

ELLIOTT
BRACK
Morehouse audience at King Concert was short-changed
By Elliott Brack
Editor and Publisher
GwinnettForum.com
JAN. 17, 2006 -- Those attending this year's King Concert of
the Atlanta Symphony Orchestra at Morehouse College may have been
disappointed, when comparing this year's concert to those in the
past. Some may feel they were short-changed.
In its 14th year, the concert, which was taking place on the
campus of Morehouse College, is a collaborative effort by a partnership
between The Martin Luther King Center for Nonviolent Social Change,
National Public Radio, Morehouse College, Spelman College and
the Atlanta Symphony Orchestra.
Recorded Thursday night of last week at the college, the concert
was aired nationally on Martin Luther King Day (Monday) on National
Public Radio throughout the nation.
But this year's concert at the King Auditorium at Morehouse was
far from the impressive presentation it once was.
There were major ingredients missing in the auditorium: there
was no explanation of how the program was chosen, and what it
represented; there was no celebratory observance from the podium
explaining the setting, its importance and the King heritage;
no buy-in and words from the podium by high-level sponsoring officials,.
The one exception was a welcoming by the Atlanta Symphony Orchestra's
president, Allison Vulgamore. As a result of the lack of guidance,
there was not as much buy-in on the part of the audience, which
was only about two-thirds full. In previous year there has been
such an overwhelming response to the celebratory concert that
two nights have been scheduled for the Morehouse production.
As a result, those in the audience, instead of being welcomed
by some person at the start of the night's observance, only had
the musical welcome of Fanfare for the Common Man, the
1942 Aaron Copland piece. It was somewhat stark.
Afterward, Ms. Vulgamore made a short talk to the audience. Ms.
Vulgamore did the obligatory thanking of sponsors, but did little
to tie the audience to the 14 years of heritage and celebration
of the life of Dr. King. As the night progressed, no one else
came to the microphone to tell the audience what was going on.
And there were key elements taking place, since three composers
of works being presented by the Orchestra were in the audience.
After conclusion of pieces by these composers, Robert Spano,
the conductor, sought out the composers, brought them on stage
.but
never told the audience they were the composers of those particular
pieces. (They wereJennifer Higdon, T.J. Anderson and Uzee Brown
Jr. ) It seemed odd, having these luminaries come on stage, but
not telling the audience who they were. We suspect many figured
out who they were, but we also suspect many did not figure out
what those three persons were doing on stage.
Now we'll tell you what happened. Funding got cut for the performance.
And instead of interviewing the participants, such as the composers,
on stage for the audience to hear, as in the previous years, this
was changed.
If you heard the NPR program on the concert on Monday, you didn't
hear interviews with these persons, as it was done before. Instead,
all the audience got was one segment with Conductor Spano. Of
course, the audience present for the concert at Morehouse did
not get to hear this, unless they happened to hear it on the radio
on Monday.
It all goes back to funding. Monies have been cut from the King
Concert budget. It's far less costly to do interviews in the studio
than on stage. The King Concert has suffered from budgetary restraints
for years, but this has grown worse in recent years. And so those
present in the Morehouse audience last week saw the results of
financial cuts
.and were somewhat short-changed from the
caliber of concert that that had come to appreciate in years past!
Even with these shortcomings by the presenters, the music was
superb!
If you want to hear the King Concert, go to the NPR archive.
Go to http://www.npr.org/templates/story/story.php?storyId=5158704
for the complete presentation.
ABOUT
OUR SPONSORS
The
public spiritedness of our sponsors allows us to bring GwinnettForum.com
to you at no cost to readers. Today's highlight sponsor is the
Gwinnett Council for the Arts, a non-profit organization
which runs the Jacqueline Casey Hudgens Center for the Arts.
It is supported through the generosity of many private patrons,
corporations and foundations. Hours for the main galleries are
Tuesday through Friday, 10 a.m. to 5 p.m., Saturday 10 a.m. to
3 p.m. The Children's Gallery is open to the public Tuesday -
Friday from 1-5 p.m. and Saturday from 10 a.m. - 3 p.m. Closed
Sundays and Mondays.More information is available at its web site:
www.artsgwinnett.org.
For a list of other sponsors of this forum, go to: http://www.gwinnettforum.com/about/sponsors.htm

UPCOMING
Women's Legacy nominees
to be announced Wednesday
The Women's Legacy of United Way in Gwinnett County will hold
a special luncheon on Wednesday, January 18, at 11:30 a.m. at
the 1818 Club in Duluth. The luncheon will feature three significant
components: the announcement of the 2006 Legacy Award Nominees,
a presentation by guest speaker Dr. Jennifer Whitaker, and the
collection of "shoebox" personal care packages for the
homeless.
Tickets are $20 per person, and reservations are requested. To
reserve your place, call 678-417-6434 or email phart@unitedwaygwinnett.org.
Dr. Jennifer Whitaker is the Executive Coach and Founder of the
Institute for Performance Excellence. Dr. Whitaker works with
many businesses and individuals in leadership development and
performance issues, helping to clarify the appropriate vision
and charting a course of action to attain it.
After her talk, nominees will be announced for the 2006 Women's
Legacy Awards. These Awards are given to women who have demonstrated
their commitment to volunteerism and non-profit issues in the
areas of Time, Treasure, Talent, and throughout their careers.
Women's Legacy was created in 1999 to mobilize women to become
powerful philanthropists through leadership, fundraising, and
advocacy.
This year fourteen women have been nominated. Four winners, one
in each of the categories of Time, Treasure, Talent and Legacy,
will be announced at a Gala fundraising event on March 10, 2006.
Duluth State of the
City talk set Jan. 31 at new building
Duluth Mayor Shirley Fanning-Lasseter will give her "State
of the City" address on Tuesday, January 31 at the new Public
Safety Facility, 3276 Buford Highway in Duluth. The event is at
11:30 a.m. and is presented in cooperation with the Duluth Civitan
Club. Guided tour of the new facility will begin at 11:30 a.m.,
with lunch catered by Kurt's Restaurant at noon. Tours will also
follow lunch. Admission is $20 at the door, with a rate of $180
for table of 10. Contact Terry Crouch at ltcrouc@attglobal.net
or 678/242-0520 no later than January 24th for reservations.
Aurora Theatre myster-thriller
opens Jan. 19
A new play opens January 19 at the Aurora Theatre in Duluth,
as it presents Wait Until Dark, by Fredrick Knott. The
play is performed Thursday through Saturday at 8 p.m., with additional
performances Saturday and Sundays at 2:30 p.m.
For reservations, call 770 476 7926, or go to the web site at
www.auroratheatre.com.
The play will be directed by Freddy Ashley. The play deals with
an unsuspecting blind woman who encounters a group of thugs who
are up to no good. This masterful mystery-thriller culminates
in a scene that will make your heart race.
In the Aurora Theatre production the popular Kate Donadio and
Brik Berkes take on the roles made famous by Audrey Hepburn and
Alan Arkin in the 1967 Award-winning film.
Aurora Theatre, Inc. is a 501 (c)(3) non-profit corporation and
is a member of the Theatre Communications Group, Gwinnett Chamber
of Commerce, Lawrenceville Tourism and Trade Association, Duluth
Merchants Association and the Atlanta Coalition of Performing
Arts.
RECOMMENDATION
An
Afghan Girl on the Other Side of the Sky
If you want a story that will leave you with a greater appreciation
for the life you have, read The Story of My Life: An Afghan
Girl on the Other Side of the Sky by Farah Ahmedi. It is a
powerfully inspiring story of bravery, courage and the will to
survive. The face of this woman and the story of her life's journey
will be forever carried in my heart. When I have a bad day, I
think of Farah and know I have no room to complain. This book
will make all readers, especially Americans, count their blessings
each and every day!
-- Paige Havens
- An invitation: What
Web sites, books or restaurants have you enjoyed? Send us your
best recent visit to a restaurant or most recent book you have
read along with a short paragraph as to why you liked it, plus
what book you plan to read next. --eeb
GEORGIA
TIDBIT
Raftsmen played key role in early south
Georgia history
Timber
raftsmen played a major role in the economy of Georgia during
the great building boom that followed the Civil War.
Timber
raft
|
Their colorful story has eluded historians, but it survives in
the folklore and oral traditions of southern Georgia. Between
1870 and 1930, raftsmen supplied several timber mills in coastal
Georgia with the raw material for ships, bridges, railroads, and
buildings. In the 1880s, huge schooners carried 100 million board
feet of lumber from the port of Darien to destinations in America
and Europe.
The earliest raftsmen were farmers of the river valleys of the
Altamaha River and its tributaries, the Oconee, Ocmulgee, and
Ohoopee. After harvesting field crops in the fall, they selected
and felled their tallest longleaf pine trees. Several months later,
the cured (dry) timbers were ready for "squaring up"
with a broad ax. When the rivers rose in winter and spring, men
gathered the timbers into rafts. Two sturdy logs formed a V at
the front of the raft, allowing the craft to bounce off the many
sharp turns of the serpentine river. Known as a "sharp chute,"
the raft was a rectangular mass of floating logs that weighed
about 360,000 pounds. The average raft was about the length of
a basketball court, although somewhat narrower.
Oars or "sweeps" 45-50 feet in length rested on "benches"
at both ends of the raft. These served as both paddles and rudders,
which rafthands pulled and pushed constantly with great effort.
Their task was to keep the raft in the mainstream and away from
snags and sandbars. The river's current propelled the raft downstream.
At minimum, three people worked on the raft: a pilot, an assistant
pilot, and a roustabout, who also served as cook.
A raft that began its journey at Lumber City on the Ocmulgee
River floated for 12 days before arriving in Darien.
After selling the raft to timber merchants, raftsmen began the
long walk home. In six or seven days, raftsmen arrived at their
backwoods homes with treats for their families and themselves.
Immigrants from the British Isles settled much of southern Georgia
and were among the earliest raftsmen. African Americans, however,
also engaged in this work and contributed to rafting folklore;
such work songs as "Pay Me My Money Down" are still
popular in coastal Georgia. Folklore from the Altamaha River valley
suggests that raftsmen of both races enjoyed both the responsibilities
and the rewards of their rugged routine.
THOUGHT
OF THE DAY
Reflections on recent
appointments out of Washington
"They have appointed. We are disappointed."
--- The Rev. Raphael G. Warnock of Ebenezer Baptist Church,
on recent Republican appointments, at King Day Celebration,
Monday in Atlanta, via Channel 5, WAGA-TV.
SEND
YOUR FEEDBACK
Send your thoughts, 55-word short stories, pet
peeves or comments on any issue to Gwinnett
Forum for future publication.
===========================================
MORE: Contact Gwinnett Forum at: elliott@gwinnettforum.com
© 2006, Gwinnett Forum.com. Gwinnett Forum
is an online community commentary for exploring pragmatic and
sensible social, political and economic approaches to improve
life in Gwinnett County, Ga. USA.
|